All guidesDeliveryMix readiness
How to export a mix for mastering.
Export the approved stereo mix as a lossless file at its native quality. Check the sample rate, bit depth, normalization and dither settings, then listen to the exported file before sending it.
Drawing of a generic export dialog · labels vary by DAW
Set it once, check it against the list.
Artist - Song - Mix 04.wav8 of 8 settings match the checklist
- File type. WAV · matches the checklistChoose WAV, AIFF or FLAC. Avoid MP3, AAC, and other lossy formats for the source.
- Sample rate. 48 kHz · session rate · matches the checklistKeep the session's native sample rate and do not upsample. Bounce Sessions accepts 44.1 to 96 kHz, so export a higher-rate session at 96 kHz.
- Bit depth. 32-bit float · matches the checklistExport 32-bit float if your DAW offers it, otherwise 24-bit. Bounce Sessions reads 16-, 24- and 32-bit files, plus 20-bit WAV and 8-, 12- and 20-bit FLAC, but not 64-bit float.
- Normalize. off · matches the checklistTurn normalization off. It changes gain after your mix bus and adds no useful quality.
- Dither. A 32-bit float export needs no dither.If you export 24-bit, leave your DAW’s dither on; at 24-bit it is inaudible.
- Channels. Stereo, interleaved · matches the checklistExport one interleaved stereo file for automated mastering. Stems are a different service and decision process.
- Range. Whole song, with the tail · matches the checklistStart before the first sound and let the full tail finish. Avoid an accidental loop selection.
- File name. artist, title and a clear version, with plain hyphens · matches
- Then listen. Import the export into a blank session, disable warping, and listen to the start, loudest section, and ending.
Export checklist
Upload the export and hear the master against it, at full length. The preview is free.
Master a track, freeStereo mix or stems?
A stereo mix is the finished two-channel balance and is the correct input for Bounce Sessions automatic mastering. Stems are grouped parts such as drums, vocals, and instruments. They allow deeper intervention, require more decisions, and belong in a personal mastering or mix-revision conversation.
What filename should you use?
Use artist, title, and an unambiguous version such as “Artist - Song - Mix 04.wav”, with plain hyphens. Avoid calling a file “final” until it has passed the quality check. The audio itself matters; the clear label protects the handoff.
Confirm that this is the same mix everyone approved. Format settings cannot repair a version mistake.